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This series uses material from the Great Schools of Dune trilogy by Brian Herbert and Kevin J
Story
Two Harkonnen sisters fight against forces that threaten the future of humanity and found a legendary sect that would become known as the Bene Gesserit. Whether exploring the stars, escaping dystopias, or making the world a better place, these women are what science fiction is all about. Anderson. A prequel to the original Dune, it tells the story of how the Sisterhood of Rossak evolved into the Bene Gesserit. The incident with Valya Harkonnen, who used the voice, comes from one called “Mentats of Dune.” All three books intertwine the development of the Sisterhood, the Mentats, the Navigators, and the Suk Doctors.
References AniMat’s Crazy Cartoon Cast: The New Normal (2020)
Let’s be clear: the resistance to perceived "DEI politics" in this series is not just tiresome, it’s fundamentally misleading. Anyone familiar with Frank Herbert’s Dune world knows that women, and the Sisterhood in particular, have always been central to the story. This isn’t some modern “rewrite” to appease audiences—it’s baked into the very DNA of the tradition. Complaining about women in power is like criticizing sand for showing up in the desert. If that makes you uncomfortable, it’s worth considering why that might be.
Visually, it’s stunning
Let’s focus on what matters: the series itself. The art direction pays homage to the bold aesthetic of Denis Villeneuve’s films and creates a seamless visual connection to the wider Dune universe. The scope feels ambitious yet intimate, balancing grand, sweeping shots with more personal, tightly framed moments. Sure, the CGI occasionally shows its budgetary limitations, but the overall design is so sharp and thoughtful that it almost doesn’t matter. It’s not perfect, but it’s close enough to be immersive.
It’s a cerebral, slow-paced story that rewards attention without ever feeling overly indulgent
The writing, while not as philosophically dense as the core Dune saga, respects the intelligence of its audience. It doesn’t oversimplify or muddy the complexities of Herbert’s world to accommodate newcomers. Instead, it leans into the power dynamics and political intrigue that make The Sisterhood so fascinating. The last 20 minutes of the first episode in particular deliver a level of suspense and reward that captures the spirit of Dune at its finest, a suspenseful and quietly monumental part of this series is how it uses the Sisterhood to explore another dimension of the vast Dune universe. The political machinations are more prominent here, offering a fresh look at the undercurrents of power that often drive the larger story.
Trust me, it’s worth the effort
It has shades of early Game of Thrones, but with a distinctly Dune feel: less gratuitous, more thoughtful, and deeply engaged with the philosophical questions that define Herbert’s work, with excellent performances that hint at greater things to come. As for the adaptation itself, it’s clear that the filmmakers have taken great care not to compromise the integrity of Herbert’s vision. This is no watered-down reimagining—it’s a serious, ambitious continuation of the world he built. Granted, newcomers may find the dense lore and dark politics daunting, but for fans of the books or Villeneuve’s films, the nuance of Herbert’s universe is part of the appeal. If you’re new, it’s a worthy entry point, though you may have to work a little harder to keep up.