Category: Torrent

34/10

Fight hordes of enemies in fast-paced, first-person hack and slash combat. Explore a dark fantasy world filled with secrets and dangers, and master your skills in manipulating the elements.

20/21

Anderson’s Great Schools of Dune trilogy

Story

Two Harkonnen sisters battle forces that threaten the future of humanity and found a fabled sect known as the Bene Gesserit. Whether they’re exploring the stars, escaping a dystopia, or making the world a better place, these women are the stuff of science fiction. This series uses material from Brian Herbert and Kevin J. A prequel to the original Dune, it chronicles how the Rossak sisterhood evolved into the Bene Gesserit. Valya Harkonnen’s use of voice comes from an event called “Mentats of Dune.” All three books intertwine the development of the Sisterhood, the Mentats, the Navigators, and the Suk Doctors. Referenced in Crazy Cartoon Cast: The New Normal (2020) by AniMat.

Visually, it’s stunning

Let’s get this straight: the backlash against the perceived “DEI policy” Not only is this series boring, it’s fundamentally misguided. Anyone familiar with Frank Herbert’s Dune universe knows that women, and especially the Sisterhood, have always been central to the story. This isn’t a modern “rewrite” to appease the audience: it’s ingrained in the story’s DNA. Complaining about women in power here is like criticizing sand for performing in the desert. If that makes you uncomfortable in any way, you should think about why that might be. So let’s focus on the essentials: the series itself.

It’s not perfect, but it’s close enough to feel included

The art direction honors the bold aesthetic of Denis Villeneuve’s films and creates a seamless visual connection to the larger Dune universe. The scope feels ambitious yet intimate, balancing big, sweeping shots with more personal, tightly framed moments. Sure, the CGI sometimes shows its budget limitations, but the overall design is so sharp and thoughtful that it doesn’t really matter. The writing isn’t as philosophically dense as the Dune series, but it respects the intelligence of its audience. It doesn’t oversimplify or dilute the complexity of Herbert’s world to grab the attention of newcomers. Instead, it relies on the power dynamics and political intrigue that make Sisterhood so compelling.

A different dimension of the vast Dune universe

It’s cerebral, slow-burn storytelling that rewards attention without ever feeling too self-indulgent. The final 20 minutes of the first episode, in particular, offer a thrill and triumph that best captures the spirit of Dune, gripping and quietly monumental. What sets this series apart is the way it uses the Sisterhood to explore. Here, the political machinations are more front and center, offering a fresh perspective on the undercurrents of power that often drive the larger narrative. It has shades of the first Game of Thrones, but with a distinct Dune sensibility: less pointless, more thoughtful, and deeply tied to the philosophical questions that define Herbert’s work. The actors are a compelling mix of seasoned artists and rising stars, with some standout performances that hint at greater things to come.

Trust me, it’s worth it

As for the adaptation itself, it’s clear that the creators have taken great care not to compromise the integrity of Herbert’s vision. This isn’t a watered-down retelling: It’s a serious, ambitious continuation of the world he built. Sure, newcomers might find the dense history and murky politics off-putting, but for fans of Villeneuve’s books or films, that’s part of the appeal. For those already invested in Dune, this series feels like a meaningful expansion: a chance to delve deeper into the nuances of Herbert’s universe. If you’re new, this is a valuable entry point, even if you might have to work a little harder to keep up.

40/20

Story

In the dying days of World War II, Dick Dynamite and his ragtag team of Nazi-killing commandos must stop a group of depraved German scientists from turning the population of New York into flesh-eating zombies.

40/23

Story

NOSFERATU by Robert Eggers is a gothic story about the obsession between a haunted young woman and a terrifying vampire who is in love with her and causes indescribable horror.

45/23

This is the second animated movie based on The Witcher, Polish author Andrzej Sapkowski’s fantasy book series which inspired a blockbuster video game franchise and the Netflix series.

49/38

Story

Best friends and roommates Dreux (Keke Palmer) and Alyssa (SZA) will have one of these. After learning that Alyssa’s boyfriend has been paying rent, the pair find themselves in a comically extreme race against time to avoid eviction and maintain their friendship.

16/38

A landman, at least one who works in the oil industry, will be the middleman between exploration companies and landowners

Story

See the most popular movies and TV shows by writer/director Taylor Sheridan on IMDb, ranked by user ratings. Typically, a landowner’s job involves negotiating and finalizing agreements with landowners who hold mineral rights to lease those rights to the company they represent.

Mentioned in CBS News Sunday Morning: Episode #4424 (2022)

Like a foreman on a construction site, they build roads, housing for workers (man camp), assemble mining machinery, and drill the well itself, especially in remote locations. They are also part fixer, problem solver, and facilitator.

Her character feels like she disrupts the main narrative, adding unnecessary chaos rather than supporting his journey

For someone so focused on his goals, the inclusion of an emotionally unstable, one-woman circus completely defeats the purpose of the show. This portrayal doesn’t enhance the plot, but instead makes it harder to take his determination and focus seriously.

Similarly, the roles of both his wife and daughter feel out of place in the show

The wife comes across as emotionally erratic, and the daughter seems to lack intellectual depth, making her contribution to the plot negligible. The portrayal of the daughter feels particularly shallow, with her character offering little beyond a superficial involvement that adds little value to the story beyond drawing views, and feels out of sync with the tone of the show.

It’s a strange and unnecessary addition that detracts from the overall quality of the narrative

Rather than enhancing the plot or character dynamics, this approach feels like a superficial tactic to get attention.

36/11

Story

Norbot (Reece Shearsmith) is the ultimate invention of eccentric, cheese-loving Wallace (Ben Whitehead), designed to do all sorts of gardening chores (“gnome improvements”), much to the chagrin of Wallace’s canine companion Gromit, who fears his pal has become too dependent on his inventions.

40/43

According to Ronald D

Story

Clare Beauchamp Randall, a World War II nurse, mysteriously travels back in time to 1743 Scotland. There she meets a brave Highland warrior and is drawn into an epic rebellion.. Moore (the developer of the TV series), his crew decided to keep the Gaelic words instead of translating them into English. This maintains the first person narrative by showing Clare’s inability to understand Gaelic.

In several episodes, the characters say OK

This idea was suggested by producer David Brown, who said he had seen something similar in Skin Deep (1998), a foreign alternative film starring actor and singer Gustavo Goular. ; An American term that did not come into use until the 19th century. The theme song changes from season to season to reflect what is happening in the storyline. In the first half of Season 2 (which takes place in France), some of the texts are in French.

Featured in Outlander: An Epic Adaptation (2015)

In the second half of Season 2 (which is mostly about preparing for war), a militaristic drum is added to the opening song. During Season 3, tribal drums were added as much of the season is set in the West Indies. Bluegrass fiddle and banjo are added in Season 4, plus some of the lyrics are sung in a Southern accent, as the season is mostly set in America. The Skye Boat Song (unregistered) Traditional Scottish air with lyrics by Sir Harold BoultonNew lyrics by Robert Louis Stevenson.

Outlander was much better than I expected

This is much more than just another love story. I just got hooked on the last season and was blown away by how much I enjoyed it. It’s so well written and acted that you really start to care about these characters and what happens to them. It’s also beautifully shot, everything from the cinematography to the costumes is excellent.

The overall production value of this is as good as anything on TV

I must say that the last few seasons have not been as good as the earlier ones, but they are still worth watching. If you haven’t seen this yet, do yourself a favor and go watch it ASAP!

13/25

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